F.A.Q.
Where can I find information about Cafe del Mar, Judge Jules, Space Brothers, David Morales, Karen Ramirez, Donna Summer, Dario G, and all of their assorted re-mixes?

I'm a DJ. Can I be on your record pool list?

How can I get into the Manifesto party on Ibiza?

Sorry, no to all of those. We're Not That Manifesto. That company is a dance-music imprint of a major label -- what used to be Mercury, then PolyGram, then Universal, and now Vivendi. It is based in London, and is run by Judge Jules, a British DJ. We have nothing to do with them, and they have nothing to do with us.

Manifesto is not, and has never been, affiliated with any major label whatsoever. None of our distributors are affiliated with any major labels.
What's the deal with the DEAD KENNEDYS re-issues?
Manifesto has been given the right to release all of the DEAD KENNEDYS albums (except for the CD of Fresh Fruit for Rotting Vegetables, which is now available on Cleopatra Records. though Manifesto has released the vinyl version of this title), because a majority of the band wanted us to do it. We are working very hard to make these four classic albums, as well as the first live album, Mutiny on the Bay, and the second live album, Live at the Deaf Club, available to all who want them. We're getting the music to the people. The albums have been digitally remastered and sound great. Royalties from the sales of the albums are being paid to all four band members.
Why have the Manifesto CDs been re-mastered?
Digital sound technology has improved by leaps and bounds since the 80's when the band's CDs were first mastered. It's like the difference between the first video game and Microsoft's XBox. No comparison. Pong and the latest 3D games of today -- the advances in computer speed make the sound of the new CDs closer to the real sound. For instance, the old 80's Give Me Convenience or Give Me Death actually has a technical error in it (a +5 dB midrange peak) that made it sound like hearing the CD through a telephone. The re-mastering corrected this problem, among others, and the listener can now hear the sound of the original tapes like the band first heard them in the studio.